Overhead mics for drummers

So, you should save up for a pair and then use your dynamic microphones as close mics for the snare and toms.

Sound Pressure Levels

All microphones have a maximum sound pressure level. Realistically, most frequencies in a drum pattern will not be at the very high or very low end of the frequency range, but it is still a good idea to record these frequencies if you can for a well-rounded sound.

They’re cheap microphones, but they feel a lot more rigid than the Behringer C-2s, and that gives you the impression that their quality is a lot better.

These mics also work brilliantly as hi-hat mics, so it’s a good idea to get these when you want affordable overheads and then use one as a hi-hat mic when you eventually get better overheard mics somewhere down the line.

I’d suggest closely looking at these and the Behringer C-2s to see which mics you prefer.

Polar pattern: Cardioid

Frequency response: 50Hz – 20kHz

Max SPL: 134dB

Weight: 0.37 lbs.

Audix ADX51

The Audix ADX51Microphone (compare price on Sweetwater and Amazon) is a great high-quality condenser to get as a single option to consider.

The maximum SPL is the maximum level of this pressure a mic can handle. The big reason for this is that they’re some of the most affordable microphones available.

Even though they’re very cheap, they do a great job of picking up all your drum sounds and giving you a good platform to mix from.

The sounds aren’t as transparent and accurate as what the other mics on this list give you, but they’re good enough for me to suggest these mics to any beginner or drummer looking for the cheapest option possible.

These mics are very small, and they’re surprisingly well-built.

I typically look for microphones offering 20 Hz to 20 kHz response, though I’ll admit that wider ranges like 16 Hz to 20 kHz provide even better results for capturing subtle low-end nuances from kick drums. Microphones should last a long time if treated right, especially dynamic microphones, so look for products with a one or two year warranty if you can just to make sure you can be confident in your purchase over long periods of time.

We ended up with an initial shortlist of 23 promising options for detailed analysis.

We then collected and analyzed the most current feedback and ratings from online retailers, music gear publications, discussion forums, videos and review publications. It can also be used for field recordings thanks to its compact size.

The skills come with time, but that’s why I suggest newer drummers only get affordable drum mics.

The better the sound quality is of a mic, the easier your drums will be to mix. Ensure you have considered the following before taking the plunge and order any drum mics. I typically look for overhead mics with an SNR of at least 60 dB for professional applications, though I prefer 70 dB or higher when budget allows, as this guarantees the captured drum sounds remain crisp and detailed without unwanted hiss or interference.

You won’t spend too much, and you’ll get a good feel for how they work with your kit.

sE Electronics

sE Electronics is the final brand to mention that drummers tend to love. sE does a very good job at matching their mics in house so if you’re looking for a consistent matched pair for stereo recordings, the sE8 is it.

Specifications

• Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 20 to 20000 Hz
• Sensitivity: 25 mV/Pa (-32 dBV)
• Impedance: 110 ohms
• Maximum SPL: 139 / 149 / 159 dBSPL (0/10/20 dB pad) (0.5% THD @ 1kHz)
• Dynamic Range: 121 dB
• Equivalent Noise Level: 13dB (A weighted)
• Power Requirements: 48V phantom power
• Connection Material: Gold-plated XLR connector
• Weight: 4.97 oz.
• Extras: Mic clips, windscreens, stereo bar, and metal storage case

Polar Pattern and Frequency Response